Xochitl-Julisa Bermejo
Enrollment limit: 8 students
$420 new; $380 returning

May we recommend Poetry Techniques with Elline Lipkin?


Through original creative work, revision, reading, and discussion, this eight-week workshop will focus on making poems that are driven by a keen attention to language, image, and sound. Our task will to engage with each other’s work and the weekly readings in order to explore the ways poetry can recover more complex imaginative and perceptive possibilities. As poet Mark Doty wisely asserts: “Our metaphors go on ahead of us, they know before we do.” We will be putting Doty’s assertion to the test with an emphasis on generative writing exercises that lead us into surprising and productive creative spaces.

This class is open to students at all levels and will take place in Melrose Village, where wine, sparkling water, and the occasional gourmet snack will be served.


Melrose Village
7:30 to 9:30 pm

April 24, 2018 to June 19, 2018 (with no class on May 8)

Xochitl-Julisa Bermejo, a first-generation Chicana, is the author of Posada: Offerings of Witness and Refuge (Sundress Publications, 2016). A former Steinbeck Fellow, Poets & Writers California Writers Exchange winner, and Barbara Deming Memorial Fund grantee, she’s received residencies from Hedgebrook, Ragdale, National Parks Arts Foundation, and Poetry Foundation. Her work is published in Acentos Review, CALYX, crazyhorse, and American Poetry Review among others. A dramatization of her poem "Our Lady of the Water Gallons," directed by Jesús Salvador Treviño, can be viewed at latinopia.com. She is a co-founder of Women Who Submit and a member of Macondo Writers’ Workshop.

Reviews of Posada: Offerings of Witness and Refuge

"I am moved by Xochitl-Julisa's work, her embrace of familia, of places long gone and present, of abandoned things too, near or in a neighborhood house yet filled with luminous power as a 'black lava molcajete,' a 'mano,' and many kinds of cacti-enduring, inscrutable, fierce, & makers of nectar. Perhaps her verses are gazing at the border-crosser-perhaps at you and me. I found joy in Bermejo's work, her caring journeys, places I have traveled. Her touch is that of an artist. Unique, light, and expansive in its humanity. Bravissimo, Xochitl-Julisa!" —Juan Felipe Herrera, Poet Laureate of the United States

"Xochitl-Julisa Bermejo's poems rattle the heart, jolt the mind. Moving from the 'tender emerald bites' of nopales shared around a table to the brutal desert terrain crossed by immigrants, she interrogates the intimate and the political. Inventive, glimmering with Spanish, her language punctures silence and makes visible resilience. Her language is also curious; it's shaped by the work of Georgia O'Keeffe and Frida Kahlo, and it cruises through the city of Los Angeles. These poems weren't written to provide solace. These poems will break you in a thousand beautiful ways." —Eduardo C. Corral, 2011 Yale Younger Poets Prize winner for Slow Lightning

"Xochitl-Julisa Bermejo's poems are a haunting vortex from Mexican America, detailed with the items we share, the stories, the names, the old country memories, and also deserts, many, many deserts. Her voice is formidable, her language clear and complex at the same time. Here's a millennial poet that goes beyond the millennium." —Luis J. Rodriguez, Poet Laureate of Los Angeles and Founding Editor of Tia Chucha Press