Logo Color for Stack Image.png

Memoir I

with Seth Fischer in Miracle Mile

7:30 to 9:30 pm
February 21 to April 11, 2019

This eight-week workshop will give writers the opportunity to explore the craft essentials of the memoir, both short- and long-form. We will explore all the fictional techniques that bring memoir to life—dialogue, setting, characterization—as well as those aspects of recollection and reflection that make it such an engaging and moving genre. Weekly assignments and assigned readings will demonstrate how effective memoir writers create compelling personal experiences on the page, and rigorous discussion of student work will aim for fully realized autobiographical prose. This class is also open to more experienced memoirists who want to formally explore or revisit their craft fundamentals.

This class will take place in Miracle Mile, where wine, sparkling water, and the occasional gourmet snack will be served.

Enrollment limit: 8 students
$420 for new students; $380 for returning students.
(Payment plans available to returning students.)

Logo Color for Stack Image.png

Seth Fischer is the current nonfiction editor at The Nervous Breakdown and was the first Sunday editor at The Rumpus. His writing has appeared in Guernica, Joyland, Gargoyle, Best Sex Writing, and other journals and anthologies. His essay “Notes from a Unicorn” was also selected as notable in The Best American Essays 2013, and he was awarded residencies at Ucross, Lambda Literary, Jentel, and elsewhere. He is also a professional developmental editor of novels and memoirs, editing books that have been or will be published by FSG, MIT Press, Cornell University Press, Rare Bird Lit, and others. He holds an MFA in Creative Writing from Antioch University Los Angeles, where he also teaches.


“I’ve taken writing workshops with many talented and prestigious people. Seth Fischer ranks up there with the best of them. His funny, warm and self-effacing personality creates a relaxed creative atmosphere. Seth doesn’t merely critique our work, he pairs relevant readings with constructive and detailed methods we can use to improve it. By actually demonstrating these methods in class, Seth involves us all in the editing process and makes the prospect of revision a lot less lonely and daunting.  I trust Seth as a teacher because he is both generous and rigorous. He’s always reading, writing and carefully studying texts to see how they work, and he brings that insight to his teaching. Highly recommended!” —Jocelyn Heaney

“I’ve been the biggest novice in Seth Fischer‘s workshops but I keep coming back because of the encouraging environment he creates. We all have a story to tell. Seth helps you tell it.” —Pedro Torres

“Seth Fischer has been a really valuable part of my growth as a writer. His familiarity with contemporary memoirs enables him to choose readings that help me to see the various ways I can tell my story. He’s generous, funny and his criticism of my work is always done in a nurturing and supportive manner with notes that give me the tools to fix it.  Seth has instilled in me the belief that it really is possible for me to see my work in print one day, that’s amazing. Thank you, Seth!” —Candace Wilson Culp

“I recently finished Seth Fischer‘s Nonfiction II class and had a completely positive experience. Seth has an amazing eye for structure and a gift for identifying how to improve a story regardless of the writing level of the author at hand—which is no small feat.  I am not exaggerating when I say that he is the editor I have been waiting to meet for years. I will definitely take another of his classes. As for the workshop structure, of course there will be some variation depending on who signs up for your particular class; our group was great.” —MR Branwen